|Genre: Classics, Drama|
Directed By: William A. Wellman
Written By: William A. Wellman, Robert Carson, Dorothy Parker and Alan Campbell
In Theaters: 20 April 1937
On Disc/ Streaming: 16 Nov. 2004
Runtime: 111 minutes
Studio: Selznick International Pictures
Box office: over $2,000,000
Janet Gaynor as Esther Blodgett/Vicki Lester
Fredric March as Norman Maine
Adolphe Menjou as Oliver Niles
May Robson as Grandmother Lettie
Andy Devine as Daniel “Danny” McGuire
Lionel Stander as Matt Libby
Owen Moore as Casey Burke
Peggy Wood as Miss Phillips
Elizabeth Jenns as Anita Regis
Edgar Kennedy as Pop Randall
J. C. Nugent as Mr. Blodgett
Guinn “Big Boy” Williams as posture coach
Clara Blandick as Aunt Mattie (uncredited)
Lillian Harmer as wardrobe woman (uncredited)
Carole Landis as girl in beret at Santa Anita bar (uncredited)
George Chandler as Delivery Man (uncredited)
Lana Turner as spectator (uncredited)
“A Star Is Born” is a 1937 American Technicolor romantic drama film.
Starring Janet Gaynor (in her one and only Technicolor film) as an aspiring Hollywood actress, and Fredric March (in his Technicolor debut) as a fading movie star who helps launch her career.
It has been remade three times: in 1954 (starring Judy Garland and James Mason),
in 1976 (starring Barbra Streisand and Kris Kristofferson) and in 2018 (starring Lady Gaga and Bradley Cooper).
Lana Turner was an extra in this first role movie. She always denied that, but it was true.
Lou Valentino, the author of “The Films Of Lana Turner“, received a copy of a letter from super agent, Henry Willson, who had a hand in casting many of producer David O. Selznick’s pictures, and who confirmed that Lana WAS an extra in the producer’s “A Star Is Born.”
“I have had this letter in my files for over 45 years. Shortly after receiving it I joined the staff of the most famous magazine of the era, LIFE, where I remained for 25 years.
When I wrote Willson to thank him for the information I wrote on a LIFE letterhead.
BINGO! He wrote back telling me to call him if I ever was in L.A. and that he’d love to meet me.
Such was the power of a LIFE letterhead! Later that year I made the first of over 100 trips to Hollywood over the next 30 years.
I called Henry Willson, and he welcomed me warmly.
Much has been written about this man and yes, Henry was a wild and crazy, hands-all-over-you guy but he also was very intelligent, funny as hell and, I think, just a little bit lonely. He took me to parties, to the Hollywood Bowl and, best of all, he told me loads of great stories about the young “Judy” Turner. He said the reason he made her do the bit in “A Star Is Born” was because he wanted her to get used to the “feel” of a movie set which, in this case, he insisted took place at the swimming pool of the Ambassador Hotel.
It was Henry’s opinion that Lana either didn’t remember doing the bit because it was done so fast and so long ago or that, being the Grande Dame she was in 1966 and taking her stardom so seriously, which she did, she simply erased the moment from her mind – something she was always very good at doing.
In the summer of 1968 on my third trip to Hollywood, a longtime dream came true for me: my favorite movie star had consented to meet me.
It was to be for dinner at the Luau restaurant in Beverly Hills. The Luau was one of many restaurants owned by Lana’s ex-husband Steve Crane, a not so successful actor who became a multi-millionaire as a restauranteur.
At 6:30 in the evening on what had to be the hottest night of the year I get to the Luau and I am ushered to Ms. Turner’s own private booth. I’m told she was stuck at work and would be a little late and that I should just order whatever I wanted.
Lana was then working on that very expensive, much troubled TV series “The Survivors.”
So troubled, in fact, that she got to the Luau at about 8:30!
But, yes, it was definitely worth the wait – she made quite an entrance and was everything I wanted her to be.
She looked really GORGEOUS in a white caftan and hoop earrings, cool as a cucumber despite the heat, and she could not have been nicer. We were there for at least two hours. Husband No. 6, Robert Eaton, who is alive and well and recently contacted me concerning a book he is writing about Howard Hughes, was with her.
During the course of the evening she answered many questions pertaining to things I was always curious about.
It was the perfect time to ask her, face to face, about “A Star Is Born.” When I did, she absolutely froze.
She gave me her best Catherine the Great stare and said: “I was NEVER an extra”.
Right away I knew I had hit a sensitive subject.
When we left the Luau I took loads of snapshots of us outside the restaurant.
And she posed for me like I was Clarence Bull or Eric Carpenter of any of those MGM photographers who glorified her throughout her career.
It had been a really wonderful night.
I knew Lana Turner for another 25 years until her passing but I never again brought up the subject of “A Star Is Born.”
In 2009, Running Press in Philadelphia published a large 400 page coffee table book called “Lana: The Memories, The Myths, The Movies.”
It was written by a wonderful editor at Running Press named Cindy De La Hoz and Lana’s daughter, Cheryl Crane, whom I have known and loved for many years.
There are over 800 photos in the book, color and black-and-white, all of which are mine.
Robert Osborne of Turner Classic Movies has said he thinks it’s the best and most beautiful book ever published on any movie star, and I agree with him.
When it was in production I asked Cindy if she would print Henry Willson’s letter in the book, thus ending the mystery about “A Star Is Born.” She thought it was a terrific idea but Cheryl shot it down because she didn’t want to go against her mother’s comments.
I respect Cheryl’s decision, and the letter didn’t get in the book.
In fact on page 390 there is even a denial that she was in it!
Since that time even the Internet Movie Data Base which for years carried the title in Lana’s credits has dropped it from their credits on her – thus confusing the issue for her fans even more.
Hopefully my words will set the record straight.”
Lana Turner did a lot of movies. She really loved being a moviestar.
Here are the most important films in which she starred. Just click the links for more info, photos and videos.
20 April 1937: A Star Is Born
9 Oct. 1937: They Won’t Forget
24 Oct. 1937: The Great Garrick
1 Jan. 1938: The Adventures of Marco Polo
22 July 1938: Love Finds Andy Hardy
12 Aug. 1938: Rich Man, Poor Girl
9 Dec. 1938: Dramatic School
28 April 1939: Calling Dr. Kildare
18 Aug. 1939: These Glamour Girls
29 Sept. 1939: Dancing Co-Ed
19 April 1940: Two Girls on Broadway
19 July 1940: We Who Are Young
25 April 1941: Ziegfeld Girl
12 Aug. 1941: Dr. Jekyll and Mr. Hyde
2 Oct. 1941: Honky Tonk
18 Febr. 1942: Johnny Eager
27 Aug. 1942: Somewhere I’ll Find You
1 April 1943: Slightly Dangerous
19 Aug. 1943: Du Barry Was A Lady
13 Nov. 1943: The Youngest Profession
23 Aug. 1944: Marriage Is a Private Affair
8 March 1945: Keep Your Powder Dry
1 Oct. 1945: Week-End At The Waldorf
2 May 1946: The Postman Always Rings Twice
5 Nov. 1947 : Green Dolphin Street
1 Nov. 1947: Cass Timberlane
29 April 1948: Homecoming
20 Oct. 1948: The Three Musketeers
1 Sept. 1950: A Life Of Her Own
2 March 1951: Mr. Imperium
5 Sept. 1952: The Merry Widow
25 Dec. 1952: The Bad And The Beautiful
25 Aug. 1953: Latin Lovers
1 May 1954: Flame And The Flesh
7 Sept. 1954: Betrayed
13 May 1955: The Prodigal
4 June 1955: Sea Chase
14 Dec. 1955: The Rains Of Ranchipur
12 Jan. 1956: Diane
13 Dec. 1957: Peyton Place
30 Jan. 1958: The Lady Takes A Flyer
2 May 1958: Another Time, Another Place
30 April 1959: Imitation Of Life
23 June 1960: Portrait In Black
19 July 1961: By Love Possessed
2 Nov. 1961: Bachelor In Paradise
25 Dec. 1962: Who’s Got The Action?
24 Febr. 1965: Love Has Many Faces
27 April 1966: Madame X
30 April 1969: The Big Cube
7 Nov. 1974: Persecution
27 Oct. 1976: Bittersweet Love
31 Oct. 1980: Witches Brew
21 May 1982: Dead Men Don’t Wear Plaid
Sources: Wikipedia, IMDB, Rotten Tomatoes, Lana’s biography “Lana, the Lady, The Legend, The Truth“, “The Films Of Lana Turner” by Lou Valentino and “Lana Turner, The Memories, The Myths and The Movies” by Cheryl Crane.